Reckno Special - Part Two: 2 Reckno Reviews.

Goodiepal - Havet / Flower Farmer - Prunes (Reckno)
This time, after interviewing Chris from Reckno last time I am record reviewing new two tapes from the label. The first one i'm doing is a tape that has two different artists on it which is what you call a split; because it is split between two different artists who get a side of the tape each to do their music on. One of the interesting things about this is that the tape has two covers, one on each side, so you can turn it over to have the art that you like best - the cover that I liked best is the one for the Flower Farmer side of the tape because it has a nice cartoon picture on it of a woman with a blue face but I think the other side is nice too.

        The other side of the tape is the first one that I'm going to review and it is by a man called Goodiepal who is a Danish man with a funny moustache who's real name is Parl Kristian Bjørn Vester and when we looked him up on the computer it said he not only does music but he also does talks and writes books about music too and he rides around on his homemade bike which must be a quite special bike because he can use it to make electricity to fuel the things he makes music on - I'd quite like to see this bike as I can't really imagine what it looks like.
            There are two long songs by Goodiepal on this tape and I liked them both very much. When the first song started what it sounded like to me is that there is a man, maybe Goodiepal himself, who is sat on a beach early in the morning and the waves are crashing and he is ringing bells as he's watching them but then some drums start and I think these sounds like drums to wake people up, maybe because there is something bad coming. It goes quieter again then though after the drums and then there are sounds like women wailing and crying and it all sounds a bit spooky to me because there are some quite spooky sounds in there like a bell ringing occasionally and long noises which go on for a long time. I liked this one a lot because it made me think of old films where bad stuff happens like War of the Worlds from 1953 and I like old films like that so that's a good thing to be reminded of. Here is a video of the advert for War of the Worlds for you to look at:

              The next song starts of with  bells and waves like in the last one except this time there are lots more of them and there are long sounds again but this time not as long as in the last one. I kind of thought this sounded like the world has woken up after the bad stuff in the last song had happened and things are sort of okay again so things carry on as best they can - I liked this Goodiepal music very much, it reminded me a bit of classical music and a bit of science fiction music and I thought it was very interesting to listen too because it's quite strange and wonderful.

        The next side of the tape is by somebody called Flower Farmer who I couldn't find out much except his real name is Florian Yarrow and that he makes "radical computer music". I thought that his surname is Yarrow is quite interesting because the housing association that runs the house I live in and that pays for The Gate where I write these reviews is called Yarrow Housing which is a bit of a coincidence.
         The music on this side starts off with a song called Eight Story Pool Ball and it starts off with what sounds like a keyboard playing quite slow but then it starts going all fast when the drums come in and it is very strange indeed and then after a bit it goes even faster and even weirder. It's not what I'm used too at all this music and it made me think of a disco for weird people who dance all strange and when you talk to them they talk all strange too, I don't know where these people would come from though; maybe Mars and maybe this is Martian music for Martian people. Here is a story I made up for this song:
           I was walking down the road and a girl run up to me and she said she was from mars and was being chased by the police so I told her that I would look after her and we escaped from the police and went to the strange Martian nightclub and she liked it there and we talked to the other Martians and had a good time.
            The next song on the Flower Farmer side of the tape is called Ice Cream Eraser which is a bit of a funny name for a song and I don't really know what it means. This one is a bit slower than the last one and reminded me of the horses going round on the carousel at a fairground. I always go to the fair when it comes to Shepherds Bush Green and go on a few of the less scary rides because I'm not really keen on the bigger rides where you go too fast or go upside down because I reckon i'm a bit old for the types of rides.
            After Ice Cream Eraser is the next song which is called Kaleidomotive and I thought this sounded a bit like the other ones if they were going a bit wrong but I think it's supposed to sound like that. I thought this one was funny and it had lots daft sounds in it that made me laugh that I liked a lot.
            Next up is one called Ocean Glow which is quite slow and I thought sounds a bit like bagpipes played over dripping water and pots and pans being hit. I liked this one a lot because it reminded me of my Grandfather who was a Scotsman. 
            The last tune on the tape starts off with music that sounds a bit like the music we do here on a monday when we do musical improvisation. It's quite a calm sounding tune compared to some of the rest of the Flower Farmer tunes (though it gets a bit less calm at the end) and my favourite bit in it is a noise that runs all the way through which sounded to me a bit like a small dog whimpering.
            Overall I would say this was a very interesting tape with two very interesting and very different artists on it and I enjoyed it very much and think other people should give it a go because I think they would find it very interesting too. I would give this tape 10 out of 10.

Our Love Will Destroy The Earth - Jet Plane Joy (Reckno)
The second tape I am reviewing is by just one musician called Campbell Kneale from New Zealand. Campbell Kneale has made lots of different music using different names and on this tape he is calling himself Our Love Will Destroy the Earth but we listened to some other stuff by him where he uses different names so I could learn more about him.
            The first song I listened to is from an old Various Artists CD thing called Two Ducks on a Truck which had Cambell Kneale on it as Birchville Cat Motel. The song I heard from this sounds like a snowstorm and is something called a drone song and I quite liked it.
           The reason why I know it is called a drone song is that we did a Music Appreciation Session where we listened to some Droney music; we listened to some old Indian music and we listened to some Didgeridoo and Alphorn and some modern classical music and some electronic music too. Also as part of this we listened to some Black Boned Angel which is another Campbell Kneale thing and it sounds like  really slow heavy metal so we played it really loud. We all liked the Black Boned Angel record except Ashley who said it wasn't really his thing.
           On the tape that I am reviewing now though Campbell Kneale is not called Birchville Cat Motel or Black Boned Angel because he is called Our Love Will Destroy The Earth and it doesn't really sound like the other things by Campbell Kneale that I've heard at all because it is a lot noisier.
             The first song on this tape then is called Glittery Skin and it starts off with a load of noise where you can't make out what anything is but I think there is a voice in there but I can't work out what it's saying. After a bit of this there are some big guitars that start and then stop and it goes all quiet and there is quiet noise like birdsong and then next song starts and it is guitars and noise again and sounds to me like a huge band playing loads of guitars at a big concert. I thought this was very interesting indeed to listen to but some of the people at the Gate had to leave the room because they thought it was too noisy.
              The next song is called Jet Plane Joy and this is very different from the last song though it does have big guitars too, this time though there is rock drumming in it and the guitars are rock guitars too and they play the same thing over and over and it is very, very rocking indeed and reminded me of punk or heavy metal music a bit and I think this is a good thing because I like punk and heavy metal.
               On the other side of the tape is the next song and this is starts off with noise like a radio not tuned in properly and then there is heavy guitars again and drums and I think maybe vocals but it is all a bit muddy sounding so you have to listen close to hear them. I thought this sounded like a rock concert again and I was thinking it was maybe a concert where things go a bit wrong cos it goes all funny sounding. The next song sounds a bit like this too and there are lots of sounds in there all mixed up in what sounds like a big tunnel. This makes it sound quite weird and very different and I liked it a lot.
               The next song is the last song on the tape and is called Skinny Glitter and is a bit quieter than the others to start with but soon gets louder, it's still a bit calmer than the others I thought though and there is a voice I could hear all mixed up in there that I thought sounded like an angel singing. I thought this was a nice way to finish the tape because I like angels.
              Overall I would say I enjoyed this tape a lot even though it was very noisy and I'm going to take it home and listen to it more. I very much enjoyed learning about Campbell Kneale and listening to this tape very much so I am going to give this tape 10 out of 10 too.

Reckno Special - Part One: An Interview with Chris who runs Reckno.

This time I am not reviewing a record because I am doing an interview instead with Chris from Reckno, which is a record label which puts out tapes. Chris sent me some more tapes to listen to which I will review next time and he also agreed to answer some questions which I thought was very nice of him. Here are the questions that I wrote and his answers, I hope you all enjoy it.

Hello this is Peter, thank you for sending me some tapes and for agreeing to answer some questions. Here are the questions I have written for you.

Can you tell us a bit about your label like; When did you start it and why?
Reckno was started in 2009, back then it was the name of an occasional night of music that my friends and I put on for ourselves and our friends. Then between 2009-2012 we put out 3" CDRs by all sorts of good folk like: Sunshine Republic, MC Coc Oen, Vanessa Feltch, Human Costume, Delicate Hammers, Ape Centre, Andrew Perry, The SK5, True Swamp Neglect and Max Bellancourt. The C Powers/Yaaard tape came out in 2010, then the label lay dormant for a while. In 2012 I had been talking to some amazing artists and tape seemed like a really interesting format that suited the releases. So far there have been 11 tapes: Ananas Pyramidalis, Yaaard/C Powers split, Tuff Sherm, Blackpepper, Michael Tanner, Kinlaw, Joane Skyler, dtcpu, Yaaard (Kimberlin), Our Love Will Destroy The World and the Goodiepal/Flower Farmer split tape. There are 7 more planned which I'm really excited about. 
           The 'why?' part of the question is harder to answer. I just love music, especially unusual music that exists in it's own universe and articulates feelings beyond language. 

Why is it called Reckno? 
I think it's great looking word. My best friend, Mr. Barney Lyall thought it up. It doesn't really have any meaning so hopefully you won't get any preconceptions about the kind of music you might get, a bit of a blank slate. After having the name for ages we said that Reckno stood for 'recreational noise' and I suppose sometimes it does.

You only do tapes on your label, do you listen to tapes at home?
I do listen to tapes at home and when I wonder around with my walkman. I really like going for long walks really early in the morning with a small stack of tapes. 

Why do you like tapes?
The main reason is they sound great. The bass gets all warm and bouncy and sounds just gel together in a way I like. Plus I suppose there might be a bit of a nostalgia thing for me, I have lots of tapes that I bought as a young music fan because it was the cheapest format back then. I find some good stuff in second hand shops and car boot sales now. Like VHS, tapes seem to be considered almost worthless by the general public which means if you have the patience to dig around there is some great stuff just waiting. I really think that great music and film transcend format though, I'm happy watching a VHS tape on my portable TV. If the film is good, it'll be good in any format, same with music.

Do you think you will put CDs or records out ever or do you not like them?
I can't imagine putting out CDs right now but I do like them and have quite a few. As for records, hopefully by the end of the year the first Reckno vinyl will be out. I don't want to say too much now but it's going to be really, really special. I'll send you one when it's out.

I've listened to a few of your tapes now and they are all quite different, and all a bit strange, so how do you choose who to work with and who has been your favourite?
Thanks, I take that you find them different and strange as a massive compliment!
           I can't quite explain what I'm looking for but I know it when I hear it. My iiird eye opens and I feel really good.
          There's no set way I get to work with artists, some I've met or seen live and got talking or I've just admired them from afar and sent an email. A few have just sent links and it has evolved from there. I do listen to everything we get sent at the moment but I'm not sure how that's going to work in the future.
           Pick a favourite? That's tricky.
           The Ananas Pyramidalis tape is really beautiful, it sounds like a sunrise to me. Tuff Sherm aka Dro Carey is someone who I'm a bit fanatical about, I think everything he's done has been great and Canal Cloaking was no exception plus I'm really happy the first Tuff Sherm release came out on Reckno. Michael Tanner's tape has

really magical memories for me because I first played it in the middle of the night while on Holiday in Italy during a thunderstorm and it made me feel like I was floating. Kinlaw's Chorus+Mysticus took a long time to form and I heard snippets along the way but when I heard the finished version, it blew me away. Joane Skyler came right out of nowhere, I'd heard a few tracks but again wasn't prepared for how accomplished and perfect an album 'orz' was/is. I'm really excited about what Joane will come up with next.
          The Campbell Kneale cassette took about 3 or 4 years to come through but it was well worth the wait. I asked him, only half jokingly, for a hip hop album, obviously he ignored my request and gave me some guitar bliss instead. I keep going back to that one at the moment. dtcpu is a really odd one, it sounds like he can just plug into a strange zero dimension and pull great things out at will. Flower Farmer compositions and tones sound really original to me, I can't think of anything at all like it which is a massive achievement. Having Goodiepal release his first recording is an honour too, 'Havet' is brilliant. I'm really into his lectures and whole .....vibe.
            Like children, I think it would be unfair on the others to have a favourite. I love them all and I am very grateful to all the artists who have trusted me to present their work. I'm very proud of what has come out on the label so far.

I'm quite enjoying this summer because it's nice and hot are you enjoying the hot weather?
 Yeah. I love the hot weather. It's odd how the heat and sunshine can make familiar environments seem different. It feels like being in a different country at the moment and travel is always good, even if it's just in your mind.

Is there anything else you'd like to say?
Thanks for the Joane Skyler review, thanks for listening and thanks for thinking up interesting questions for me. Take care.

I thought this was a very good and interesting interview because it very nice to read all about Chris' label and all the different tapes that he has put out and I'd like to thank him for doing it and wish him very well for all the things he will do in the future. One thing I thought was especially interesting is where he says about Reckno being a made up word that his friend made up and if I had a tape label I would call it Makthing Tapes which would be a mix of Making and Things - I think I would be quite good at running a label because I would release allsorts just like Chris does.

             But that is the end of this part of my Reckno special and next time I will be doing reviews of the Our Love Will Destroy The World and the Goodiepal/Flower Farmer tapes that Chris talks about in the interview. I am looking forward to this and I hope you all are too.

Thanks to my friend Wayne for painting the Reckno letters.

Various Artists - Modernists 4 (and an interview with Tony from Modern Urban Jazz).

VariousArtists - Modernists 4 (Modern Urban Jazz)
This time I am reviewing a cassette tape that I was sent by Tony from Modern Urban Jazz who also agreed to answer some questions for me so I would like to thank him for both sending the tape and also for answering the questions. Here are the questions that I asked and the answers:

Can you tell me a bit about your label; things like how long have you been doing a record label and why did you start it? Why did you call it Modern Urban Jazz? Do you sell much or do you have to have another job as well?
I first started the record label back in 1995, so a fair few years ago now. I started it initially as somewhere that myself and other artists I was working with could release some of the more challenging or experimental drum and bass that we were making at the time, and it also let me have control of what I was releasing and how or when I wanted to release it. I called it Modern Urban Jazz because I felt the music that we were making was akin to jazz in its non-conformist and no rules approach. I like jazz and had always been influenced by it so it felt right to use the jazz name. The modern bit was all about bringing our own futuristic take on jazz, making it modern and the urban because well it's the music of the cities and towns it was being made in and listened to in. It just seemed to fit together as a name and summed up what the music was about. The releases we do on the label in the physical forms, the records, tapes, cd's etc are always in a limited amount and we release digitally as well. The label does make some money which we usually invest back into the next projects. I work in education as well and do mentoring and teaching with 11-16 year olds.

I have reviewed a few tapes recently and enjoyed them very much, why did you decide to release this on tape as well as CD and do you listen to tapes at home - if so can you tell me about them?
When you have a label, you find yourself in a position where you are able to release music that you like and you can release it in lots of different formats. Tapes really seem to be making a comeback at the moment and this really appeals to me because as a kid I used to have loads of tapes with different music on. A lot of it was hip hop and then house and the developing rave scene. I used to walk round taping stuff when i was young so I have always had a love of tape, and wanted to put one out. I still have many of those same tapes at home and lately I have been listening to a hip hop mix tape by DJ Premier from New York from the mid 90's , a tape by Bobby Womack and the Valentinos and another tape we did in collaboration with Rawtrachs, called Jump and accept the power, which we put out a while back.

Modernists 4 is a compilation with lots of different people on it, how did you find the people to go on it?  
When I put something together a project or an LP, things often happen quite organically or naturally. This LP is the 4th in the Modernists series and I wanted it to be more varied and different musically from the others we had released in the past. Rawtrachs has a track on there and I met him because he interviewed me for his fanzine, I found out he also did music so got him to do a track. I met Burlish as he had also been interviewed for the same fanzine and I also DJ-ed at his night in Birmingham and I liked the tracks he sent me. Critical resistance I met via twitter and soundcloud via the internet which is a really useful tool for artists getting in contact or being able to network with different people. We have people who we work with regularly like Jason oS from Canada, so it’s a nice blend of people we have stumbled across, established artists and my own work or collaborations like Just in from Michigan with Metro.

I'm a Londoner and like living in London because there's plenty of things to see and do so I never get bored. Where are you from and do you like it and if so why? 
I am from Luton, which is not far from you, and yes I don’t mind it, it’s my hometown and base. I don’t really get bored as I have a wife and two boys who keep me entertained in between doing music and running the label. But if I want to I can hop on a train or drive and be in London in about half an hour which is good because we do the mastering for our music in London, plus I like London as well so enjoy a visit to different record shops or pubs, to get some food or have a look about, I never get bored there either.

           I thought that was all very interesting because it is interesting to learn a little bit about how record labels work and I was surprised to learn that running a record label doesn't make you enough to live on. I think it's a shame that Tony doesn't make a living out of it but being a teacher is a good job to have, education is very important because if there were no teachers then children wouldn't be able to learn anything. I also thought it was interesting that Tony comes from Luton - I went to Luton once when I lived in Leavesden Hospital and we had a day trip to go all round the town and to the cinema where we saw Basic Instinct and I thought it was a very nice place and the people there were very friendly people.
            Another thing that I thought was interesting was how Tony talked about getting the different artists together to put on the tape. I've got a few compilations at home but they are mostly 50's and 60's rock and roll ones and not electronic music like this is, I think compilations are a good thing to have because they have a lot of different people on them and it is good to listen to different people.
             The person who starts off side one of the tape is the Burlish person that Tony talked about in his answers and his song starts off with electronic drums which sound a bit like fast marching drums and then over the top comes synthesiser bits which sound like long echoes in a tunnel and then there are bits which sound like a big bell being hit softly - I thought this was quite a relaxing tune even though the drums are quite fast and I thought it was a nice way to start the tape.
             After the Burlish tune is a tune by Icons called Time Undefined and this is another quite relaxing tune which I thought was perfect for a sunny day like today and would be nice to listen to in your garden having a drink and a sandwich and just taking it easy. I'm not in my garden though because I'm at The Gate doing record reviews but I don't mind being in here because I like doing the reviews.
              The next song on the tape Betamax Heard which is a funny name because I've not heard the word Betamax for ages because I don't think you can buy Betamax's anymore because they are out of date so I thought it was interesting that a person has called themselves after them. The music doesn't sound out of date though because it is electronic party music and it sounds modern to me because electronic music is quite new - when I was young the music at parties always used to be rock and roll because electronic music wasn't invented then. I like this song very much, it seems quite a happy and cheerful song  which I thought was another one which is perfect for the summer weather.
             Next up is a song by somebody called Rawtrachs which is another party tune with drums in it which reminded me of marching drummers and I thought of them parading down the street. I didn't think this one was as summery as the last two because  it's not as happy sounding but I still liked it a lot.
               After that tune is a song by Deep Blue and Justice and I liked this a lot too. Justice is the name that Tony who sent the tape uses when he's making music - I think he is very good at making music and have heard his music before when I reviewed a record of his before that I liked very much, this song is another one which sounds quite relaxed even though the drums are quite fast on it.
                The next song is called Cope by somebody called fume and this one I thought was great, it has a big, jazzy drumbeat and keyboard space sounds and I thought it sounded a bit like it could be the music for a space film about astronauts who go into orbit and come back and go to a jazz club; I think this would be a very good film indeed.
                 On the B-side of the tape it begins with a song by Milestone and it starts off with a lovely piano bit which goes over and over and then the drums come in and it gets very funky and different piano bits come in - I thought this was another nice relaxing tune which would be good to chill out too.
                  The next song has piano in it too but it is faster piano because this is a faster type of song. I liked this one because it had that nice Jazz singing in that just goes "ba ba baba ba" instead of having words.
                   After that song is a song by Consumer which is another one that made me think of space. It is quite a noisy one with metal clanking sounds for drums that made me think of the robot dancing that you used to see on the telly in the eighties. I used to enjoy seeing the robot dancing because it was a very different way of dancing and I also thought it was a bit funny so it was good to be reminded of it.
                  Next up is another one by Betamax heard and like his other one it another tune that would be good for a summer party maybe on a beach somewhere like Brighton or Southend - I'm going Southend this weekend but I don't think there will be any music there because I'm not going to a party there.
                 Then there is another song by Tony but this time with somebody called Metro which I thought was very good and quite spacey again and after that is the final song which is really nice because it is very mellow with a drumbeat that sounds a bit like a heartbeat and I thought this was a very nice way of ending the tape.
                    Overall I would say I enjoyed this tape a lot and I definitely think it is a good tape for the summer especially if you were going to have a party in your garden. Another reason that i liked it was because there are lots of different things to listen to on it and they are all very interesting and nice to listen to. I would give this tape 10 out of 10.

Kelpe - Fourth: The Golden Eagle.

Kelpe - Fourth: The Golden Eagle (Drut Recordings)
Today I am reviewing a record of what I think sounds like electronic party music by a guy called Kelpe who sent me the record himself so I would like to thank him for sending me it. When we were first doing this record my friend Darren who also comes to the Gate heard it and said he would help with the review and I said he could because Darren is a rapper so he knows a lot about music. Darren said that this music that Kelpe does is like Instrumental Hip-Hop which is rap music without the rapping in it. I don't know know too much about Hip-Hop music so I am glad to be doing this review so I can hear something new.
           The first song is called Astrolomy and it starts off quite quiet with a noise that sounds a bit like when you do that thing with you finger and a wine glass to make it make noise and then there is an instrument that I thought sounded like a middle eastern guitar and then there are some very jazzy drums. This goes on for a bit and then there are all different instruments that I didn't know what they were but Darren said they were probably synthesisers. I thought this was a very funky song with lots of different things to listen to in it and I liked it very much and thought it was a good start to the record and that it would be a good song to play at a party to get people dancing.

Drawing by Clare Louise Miller.

           The next song is called Beaks of Eagles and it starts off quite slowly with a noise like angels singing and I thought it sounded a bit like the record was warped on this bit and so was playing a bit funny but the record isn't warped because it's supposed to sound like that which I thought was very interesting. This song is a bit more relaxing than the last one but would still be good for a party I think because it is still very funky. One bit I really liked on this was near the end where there is a sound like trumpets because this reminded me of angels as well so I think maybe that's what the song is about.
          The next song is my favourite so far because it reminded me of a the music for science fiction films in the Seventies, it is called Superzero Theme so maybe it's a song about a man with powers like Superman or Kiss Ass. If I was a superhero Darren said I could be called Smoke Man because i smoke a lot of cigarettes and I think that's a good idea and I think I'd quite like to be a superhero.
          After this is one that starts of all slow with a noise like water taps which made me think of music to play when you are in the bathroom but then it speeded up and got all funky and sounded more like music for a disco club again but I still think you could dance to it in your bathroom if you wanted to.
           Next is Nice Eyes in My Size which is slower than the others have been and all weird and a bit wonky - I liked this one a lot because of this because it sounded very different to songs i've heard before.
           The next song which is the first song on the second side is called Single Stripe and is quite weird too because it has an instrument in it which sounds very farty which I thought was funny. This isn't all there is in this song though because there is singing in it which made me think of angels again and overall it's a very lovely song really.
            Glinterlude is the next song and this one is a very fast one with noises in it like I imagine electricity would make if there was lots of it and after that is a song called puds which made me think of a spaceship in orbit with people floating round in it having a good time - I'd quite like to go up in a spaceship one day to see what it's like in space but I don't think that's likely to happen because I'm getting on a bit, it's a nice thing to think about though.
              After Puds is Outwhere which is another quite spacey one but slower this time maybe which made me think of science fiction stuff again like aliens and robots and spaceships and that. I liked this because I like science fiction especially old films like The Day the Earth Stood Still and The Day the Earth Caught Fire which are both excellent films that I enjoyed very much.
              The next song is the last song and is called Answered and it is quite a relaxed tune that I thought was very summery sounding and very good to be playing on a sunny day like today. I think the whole record is quite summery really because it's quite a fun record with nice songs to dance to or just listen to while you sit in the sun maybe on a beach or in a park. I liked this record very much indeed and if you would like to hear it you can do on the thing below. I would give this record 10 out of 10.
             

Lucifer's Foreskin - Satanic Vulvacrafts.

Lucifer's Foreskin - Satanic Vulvacrafts (Infernal Machines / Crucial Blast)
This time we are doing a noisy tape from a very strange band with a very strange name because they are called Lucifer's Foreskin - It is a strange name because Lucifer is the devil and a foreskin is a bit of the penis and I've never heard of a band named after a bit of the penis before so I thought that was a bit funny. I think some people might get offended about this name because it's a bit rude but I think it's ok really and I think the band were probably just trying to be funny.
           I think that people might get offended also because of the devil stuff too and think that this is music for devil-worship but I think devil-worshippers are probably alright really and I don't mind them because you need all sorts of people in the world. I don't think you need to be a devil-worshipper though to listen to this tape because anybody can listen to music so even though I go to church I am going to listen to it anyway because I don't think anything will happen to me if I do.
           The first song on side A of the tape is called The Shroud of Purgatory so that is more devil stuff because purgatory is another word for hell and hell is where the devil is and where wicked people go when they die because they have been wicked; I think it is probably a horrible place and I hope I don't go there when I die but I think I probably won't because I'm good most of the time and not wicked at all and don't do bad things.  The song starts off with a noise like a big fire and lots of wind so I suppose it sounds a bit like hell would sound like. It is strange music because there are no drums there is just lots of loud noise and what sounds like people in the background far away - I thought this was interesting and a good way to start off the tape.
            The second song is also a devil song because it is called Satanic Evil but it is very different from the first song because it has fast electronic drums like disco music and over the top of that there is a noise like an german shepherd dog makes just before it attacks you. I liked this song very much because I've never heard anything like it before and I thought it was good fun.
            After this song is another one with all noises in it that sounds a bit lots of big drills on a building site or like how a television sounds when the picture won't come on except it's very loud and then after that is another one which is the same but even louder which is very noisy indeed. At the end of the song there is a sound which sounds like the devil talking, you can tell it is the devil talking because it is a dark, growly voice and I think that is what the devil would sound like.
            The next song Perpetual Desecration is the last song of the first side and is another one with fast electronic disco drums in it and vocals like the devil's growly talking. I think this is a very interesting way of making music and I liked it very much.

A bombed out house from the war.

             On the next side the first song is called devil skin rising and this one is a very noisy one indeed and it made me think of a big war with lots of planes dropping bombs and lots of destruction. I was born January 7th 1944 so I was born in the last big war but I don't remember any of it because I was only a baby then. I do remember though playing in the bombed out houses that were still about when I was about 10, me and my friends used to go in them to see what they were like. I used to like going round the bombed out houses because it was interesting thinking about the war and what it must have been like in them times - I think it would have been horrible with all those people getting bombs dropped on them and getting killed and I wish we didn't have wars because they are not nice.
            After this song is another of the disco ones called Incest of Wasp but the drums aren't quite as fast on this one and there are more other electronic sounds and you can here the growling more on it than on the other disco ones, I like the growling very much because it's a bit strange and makes me laugh.
              Then there is a song called Priesteater which is a funny name for a song because I don't think anybody would really eat a priest. This one is a short one of just noise like the big drills again and so is the next one.
               The last song of the tape is called Satanic Evil II and it is another disco type song with growling on it and voice noises which sound a bit like burping and I suppose it does sound like Satanic Evil music because it is loud and noisy and not really happy music because it sounds more angry than happy.

               Overall I would say I liked listening to this music a lot because it was very strange and enjoyable and a good laugh because it's a bit silly and fun but I suppose it might truly be satanic music about the devil and all his works and that would be a bit scary. I think other people would like it if they heard it because they probably wouldn't have heard music like it before so I think they should. I would give this tape 10 out 10.

Morton Feldman - Crippled Symmetry: at June in Buffalo.

Morton Feldman - Crippled Symmetry: at June in Buffalo (Frozen Reeds)
              This time I am doing some modern classical music by Morton Feldman that was sent to me by Ian from Frozen Reeds which is a record label in Finland. I would like to thank Ian for sending me this music because I've never heard modern classical music before and so I am going to enjoy listening to this very much because I always like hearing new things. 
              Morton Feldman was born in New York to Russian/Jewish parents on January 12, 1926 and he made his classical music and then he died aged 61 of cancer of the pancreas. 61 is a bit young to die so it's a shame that he died then just like it's a shame when anyone dies - I'm older than he was when he died cos i'm 69 but I'm not bothered that i'm going to die because I'm not going to know anything about it probably and I've had a good time in my life and been happy and had good friends and enjoyed myself.       

             When I was getting ready to do this review with Arlo, who helps me with the writing, we looked up all about him and that's how I know when he died and where he came from and we also looked up about modern classical music because I didn't know anything about it so I wanted to learn a bit to help me out with writing the review.  When I first heard of modern classical when we started this review I thought of Nut Rocker by B.Bumble & the Stingers because Nut Rocker is a song that a rock band made of a Tchaikovsky tune. You can hear Nut Rocker here if you like:

              Nut Rocker isn't modern classical though because what we learnt about modern classical is that people in classical music decided to not use the rules of old classical music and make up some of their own rules to see what it sounded like to do that - This means it sounds a bit like old classical music but a bit stranger and not at all like B.Bumble. On these CD's that i was sent which are two CDs of some music of Morton Feldman played in a concert in New York you can tell it is classical music because it has piano in it and flutes and instruments like xylophones and they are all instruments that you play classical music on and you can tell it is modern classical because it sounds a bit like older classical but stranger.

              The first CD in this set of two CD's is the first half of the concert which happened on June 12th 2000 that was played by Eberhard Blum (Flute, Alto flute, Bass flute), Jan Williams (Glokenspiel, Vibraphone) and Nils Vigland (Piano, Celesta) and it starts off with them all playing their instruments together and it is quite slow music and is quite pretty sounding and soft. Then after a little bit it gets even quieter with mostly just flute and vibraphone (or maybe it's glokenspiel) and it sounds a bit like music you would play to a baby to get it relaxed and stop it crying. I think it sounds like music to play to a baby because it has lot of twinkly sounds and soft bits like music for babies has. After a bit you start hearing more piano and it starts sounds a bit heavier than the other instruments and it doesn't sound so much like music for a baby anymore because it sounds more like music for ballet dancing I think and I can imagine people doing some slow ballet dancing where the dancers are slowly waving their arms about. I think this would be nice music to dance to if you were a bit older like me and couldn't move very quick because it is quite slow music and so it wouldn't be tiring. 

                The music kind of carries on being quite slow with different sounds coming in from different instruments and after a bit I thought that this sounded a bit like music you would have in an old black and white horror film about ghosts or something like that because it sounds quite spooky. If I was to make a film with this music I would call it Behind the Bloody Walls and I'd have a house in it where the curtains are always closed and there would be blood on the walls and ghosts that live in the walls that come out of them at night to scare people, I think this would make a very good film indeed.

                 After listening a bit more I was trying to think of when would be a good time to listen to this music and I thought it would be good music to play if you were having a meal with friends or maybe if you were on your own it would be good music to listen to if you wanted to relax and you could lie on your bed and close your eyes and it would be very relaxing indeed because of how calm and slow and nice it is. I liked this CD of the first half of this concert very much. 
                   The second CD is of the second half of the concert and it starts of with mainly flute which I thought was quite nice and it reminded me again of music you would play to a child to get it to sleep like a lullaby, I think this music would work to get kids asleep because it's soft sounding music and I think that is probably what children like. After a bit the piano comes in more and it's still soft and relaxing and nice to listen to because the sounds are quite long in this bit and that makes it even more relaxing than maybe the other CD was. My favourite bit on CD was a bit where the flute sounded like the blower on a ship and it made me think of an old docks with an old ship coming in and I thought this was a nice thing to think of.
                      Overall I think that this a very good thing for me to listen to because it's always nice to have a change and I would like to hear more Morton Feldman and more modern classical music and learn more about it. I am going to take these CDs home and will listen to them when I want to just relax in my room, I think I will enjoy that very much. I would give this Morton Feldman music 10 out of 10 and would like to thank Ian again for sending it to me because I've enjoyed it very much.

Nochexxx - Greatest Record.

Nochexxx - Greatest Record (NCHX).
This time I record reviewing a record because instead I am doing a cassette tape by Nochexxx called Greatest Record. I thought it was interesting to be reviewing another tape because I didn't think anyone made them anymore. It's a lovely looking tape as well because it is all gold and comes with a card thing that tells you what the tape is called.
             I have heard of Nochexxx before because I reviewed his stuff ages back when I first started doing record reviews and I liked his stuff very much. This time to make the review more interesting time we asked him if he would answer some questions and he said yes which I was very pleased about. Here are the questions that we asked and what he said:

I didn't know till recent that people still did tapes, why did you do your music on a tape and not a record or a CD? 

Yeah, there's a thriving underground scene still releasing tape. It's cheap and manufacturing small numbers isn't an issue. Seeing as this release was a nod to the old-school mixtape daze, I felt cassette would be the most appropriate format. 

Do you think tapes are better? Vinyl is king, but i can't always afford it. I love tapes tho - the ferric really does become the music! This will sound snobbish, but i don't like releasing digitally as I feel the listener misses out on the post production artifacts derived from different formats. I'm always thinking about how my music will interact with different formats, it's very much part of the art.  

I thought the tape was very interesting and had lots of different types of  sounds in it that reminded me of lots of things. Do you like a lot of  different music like I do and if so what types do you like? Yes of course; any chef worth his salt loves all ingredients, it's just a case of finding music that has been cooked correctly. I love all genres, but I'm by no means an expert!     

       I think these answers are very interesting and I'd like to thank Nochexxx for answering my questions. One thing I thought was interesting is where he says about mixtapes, mixtapes are when you mix music together like a DJ in a discotheque with no bits between the songs so it just sounds like one long song. This is what this tape is like so instead of reviewing each song I am just going to review the whole thing together all at once.

       It all begins with drums and what sounds a bit like an electric guitar but I'm not sure if it is guitar because I think Nochexxx is more of an electronic musician but I suppose it might be because there's lots of different sounds in this music so it could be. This drumming carries on and like I say there are lots of sounds and things happening like; a man with a voice like Barry White talking, a bird whistling, a saxophone, people clapping, an opera singer, a television going on and all sorts of stuff and it all goes together to make some very funky music indeed which I think is probably disco music. I liked how the tape has started off very much, it is very interesting indeed.
       One bit I thought was most interesting is where a voice says "His name is Head, Dick Head." I think it would be funny if there was a person really called Dick Head and I think if some one was called Dick Head they would probably change their name but I wouldn't because I would think it was funny. After this talking the music carries on being funky disco music and then the music sort of dies out and then there is an answer machine and somebody talking about someone called Dave and then a bit of piano and the music starts up again and seems to change a lot so is very interesting because there is lots to listen to - I especially liked the drums because they made me think of insects.
          The music goes on for a bit and then there is a girl singing "the other night" over and over on top of more disco music and then there is a saying Disco over and over so I was right and this is disco music cos otherwise the guy wouldn't be saying it. After a bit of that and more music there is a little bit of a Rick Astley tune from 1987 called Never Gonna Give You Up and then that changes to some guy talking about shit and Ray Charles and then some other talking which sounds like talking at a party and then there is more disco music and then someone talking about a planet called Orion and this made me think that maybe this was supposed to be space music for a space disco which I think would be an alright thing cos it would be fun I reckon to have a space disco. After a bit more music there is another voice which is a bit weird and again made me think of space cos it sounded a bit like a robot or something talking and then the music starts and it sounds very good because it sounds like strange trumpets and I liked this a lot. The music kind of slows down a bit here and then gets faster again and very funky indeed before it finishes and then that's the end but you can turn the tape over and it's the same thing again on the other side.
        Overall I think that this is a very good tape with very good music on it from Nochexxx which I enjoyed very much indeed and I think people should buy it and play it at their parties and they could get people to dress up as space people and come round and listen to it, I think that would be a lot of fun and I'd like to go to a space party like that. I would give this tape 10 out of 10.