Hello this is Peter, thank you for sending me some tapes and for agreeing to answer some questions. Here are the questions I have written for you.
Can you tell us a bit about your label like; When did you start it and why?
Reckno was started in 2009, back then it was the name of an occasional night of music that my friends and I put on for ourselves and our friends. Then between 2009-2012 we put out 3" CDRs by all sorts of good folk like: Sunshine Republic, MC Coc Oen, Vanessa Feltch, Human Costume, Delicate Hammers, Ape Centre, Andrew Perry, The SK5, True Swamp Neglect and Max Bellancourt. The C Powers/Yaaard tape came out in 2010, then the label lay dormant for a while. In 2012 I had been talking to some amazing artists and tape seemed like a really interesting format that suited the releases. So far there have been 11 tapes: Ananas Pyramidalis, Yaaard/C Powers split, Tuff Sherm, Blackpepper, Michael Tanner, Kinlaw, Joane Skyler, dtcpu, Yaaard (Kimberlin), Our Love Will Destroy The World and the Goodiepal/Flower Farmer split tape. There are 7 more planned which I'm really excited about.
The 'why?' part of the question is harder to answer. I just love music, especially unusual music that exists in it's own universe and articulates feelings beyond language.
Why is it called Reckno?
I think it's great looking word. My best friend, Mr. Barney Lyall thought it up. It doesn't really have any meaning so hopefully you won't get any preconceptions about the kind of music you might get, a bit of a blank slate. After having the name for ages we said that Reckno stood for 'recreational noise' and I suppose sometimes it does.
You only do tapes on your label, do you listen to tapes at home?
I do listen to tapes at home and when I wonder around with my walkman. I really like going for long walks really early in the morning with a small stack of tapes.
Why do you like tapes?
The main reason is they sound great. The bass gets all warm and bouncy and sounds just gel together in a way I like. Plus I suppose there might be a bit of a nostalgia thing for me, I have lots of tapes that I bought as a young music fan because it was the cheapest format back then. I find some good stuff in second hand shops and car boot sales now. Like VHS, tapes seem to be considered almost worthless by the general public which means if you have the patience to dig around there is some great stuff just waiting. I really think that great music and film transcend format though, I'm happy watching a VHS tape on my portable TV. If the film is good, it'll be good in any format, same with music.
Do you think you will put CDs or records out ever or do you not like them?
I can't imagine putting out CDs right now but I do like them and have quite a few. As for records, hopefully by the end of the year the first Reckno vinyl will be out. I don't want to say too much now but it's going to be really, really special. I'll send you one when it's out.
I've listened to a few of your tapes now and they are all quite different, and all a bit strange, so how do you choose who to work with and who has been your favourite?
Thanks, I take that you find them different and strange as a massive compliment!
I can't quite explain what I'm looking for but I know it when I hear it. My iiird eye opens and I feel really good.
There's no set way I get to work with artists, some I've met or seen live and got talking or I've just admired them from afar and sent an email. A few have just sent links and it has evolved from there. I do listen to everything we get sent at the moment but I'm not sure how that's going to work in the future.
Pick a favourite? That's tricky.
The Ananas Pyramidalis tape is really beautiful, it sounds like a sunrise to me. Tuff Sherm aka Dro Carey is someone who I'm a bit fanatical about, I think everything he's done has been great and Canal Cloaking was no exception plus I'm really happy the first Tuff Sherm release came out on Reckno. Michael Tanner's tape has
really magical memories for me because I first played it in the middle of the night while on Holiday in Italy during a thunderstorm and it made me feel like I was floating. Kinlaw's Chorus+Mysticus took a long time to form and I heard snippets along the way but when I heard the finished version, it blew me away. Joane Skyler came right out of nowhere, I'd heard a few tracks but again wasn't prepared for how accomplished and perfect an album 'orz' was/is. I'm really excited about what Joane will come up with next.
The Campbell Kneale cassette took about 3 or 4 years to come through but it was well worth the wait. I asked him, only half jokingly, for a hip hop album, obviously he ignored my request and gave me some guitar bliss instead. I keep going back to that one at the moment. dtcpu is a really odd one, it sounds like he can just plug into a strange zero dimension and pull great things out at will. Flower Farmer compositions and tones sound really original to me, I can't think of anything at all like it which is a massive achievement. Having Goodiepal release his first recording is an honour too, 'Havet' is brilliant. I'm really into his lectures and whole .....vibe.
Like children, I think it would be unfair on the others to have a favourite. I love them all and I am very grateful to all the artists who have trusted me to present their work. I'm very proud of what has come out on the label so far.
I'm quite enjoying this summer because it's nice and hot are you enjoying the hot weather?
Yeah. I love the hot weather. It's odd how the heat and sunshine can make familiar environments seem different. It feels like being in a different country at the moment and travel is always good, even if it's just in your mind.
Is there anything else you'd like to say?
Thanks for the Joane Skyler review, thanks for listening and thanks for thinking up interesting questions for me. Take care.
I thought this was a very good and interesting interview because it very nice to read all about Chris' label and all the different tapes that he has put out and I'd like to thank him for doing it and wish him very well for all the things he will do in the future. One thing I thought was especially interesting is where he says about Reckno being a made up word that his friend made up and if I had a tape label I would call it Makthing Tapes which would be a mix of Making and Things - I think I would be quite good at running a label because I would release allsorts just like Chris does.
But that is the end of this part of my Reckno special and next time I will be doing reviews of the Our Love Will Destroy The World and the Goodiepal/Flower Farmer tapes that Chris talks about in the interview. I am looking forward to this and I hope you all are too.
Thanks to my friend Wayne for painting the Reckno letters.